Spring 2025 Touring Production:
Romeo and Juliet
Experience Romeo and Juliet Like Never Before!
Seattle Shakespeare Company’s Romeo and Juliet is hitting the road! This exciting, fast-paced touring production brings the timeless tale of love, fate, and family conflict to life in a fresh and engaging way. With just 5 talented actors, our dynamic cast will play multiple roles, creating a unique, high-energy performance that will captivate students from start to finish. Perfect for classrooms, gyms, or auditoriums, this 70-minute production delivers all the drama, passion, and heartbreak of Shakespeare’s classic in a way that’s accessible and unforgettable. Don’t miss the chance to bring this epic story to your school!
The 2025 Spring Tour will be traveling around the state from February through June 2025. Booking is available NOW!
About The Tour
For nearly 20 years, Seattle Shakespeare has brought live, 90-minute versions of Shakespeare’s plays to schools all across Washington. That means over 125,000 students—just like you—have gotten to experience these stories up close. No matter where we go, we hear the same thing: students who thought Shakespeare was confusing in their textbooks say it finally clicked when they saw it live. Watching the characters come to life helps make the language easier to understand—and way more fun.
Take a look and see how the 2025 Touring Ensemble has brought Romeo and Juliet to life!
How Does Booking a Tour Work?
WE WILL...
Pack 5 actors, costumes, set pieces, sound equipment, props, and pipe and drape into a van and bring it all to your school for a 70ish-minute Shakespeare performance with an optional 15-minute post-show talkback.
YOU WILL...
Provide a minimum 25′ x 25′ space for our playing space and backstage area, 6 chairs, access to bathrooms, access to a private changing area (which can be bathrooms that students are not using during actor setup) access to drinking water, and a place to park our touring van. (If you have a lighting setup and a board operator, we can use a “day” look and an “evening/night” look, and bring a prompt book for the light board op to use.)
- Cost per show: $1,800
- Scholarship-level cost per show: $1,000
- Pre-Show Workshop: $110 per workshop (approximately 45-65 minutes, up to 35 students)
- Talkback after the Show: Free
- Study Guide Before the Show: Free
Mileage applies to any school farther than 20 miles from Seattle Center.
Per diem applies to any day that spans more than one meal.
Accommodations are needed for any day: longer than 10 hours, if the beginning of the day (including a realistic drive time and 1 hour of setup time) would be earlier than 6:30AM, if the end of the day (including a talkback, clean up time, and a realistic drive time) would be later than 10:00 PM; and/or if the tour would be returning to a school the following day and drive time is long.
Please ask if you are unsure whether your school requires accommodations.
- Travel to and from school: $0.63 per mile each direction, from Seattle Center
- Accommodations (if needed): $288 per night for most areas. Costs will be higher in Port Angeles ($312), Richland/Pasco ($315), Ocean Shores ($333), Spokane ($342), and Vancouver ($546).
- Per diem for actors: $265.50 for first/last day of travel, $354 for a full day of travel (if there’s a 3rd day in the middle of two half days). For the above-listed cities, costs will be $333 for first/last day and $444 for full days.
Interested in planning a trip with your students to see a show on our mainstage?
Interested in scheduling a class workshop with a teaching artist?
Meet the Cast
David Breyman
Capulet, Benvolio, and Others
David Breyman is thrilled to be returning to Seattle Shakespeare Company after appearing in All’s Well That Ends Well. He holds a BFA in theatre from Cornish College of the Arts. Favorite roles include: Mr. Bingley and Mary in Pride & Prejudice (Harlequin Productions), Clive in See How They Run (Drama Dock), Caiaphas in Jesus Christ Superstar (Reboot Theatre Company), and Scarecrow in The Wizard of Oz (Tacoma Little Theatre). Catch him in Reboot Theatre Company’s upcoming production of Oliver! Many thanks to his friends, family, and partner for their unrelenting support. Cheers! IG: @davidbreyman
Rolando Cardona
Nurse, Mercutio, Prince, and Others
Rolando Cardona is excited to make their return to the educational tour for Seattle Shakespeare Company. Recent credits include Charlie Brown in Charlie Brown Christmas (Taproot Theatre), Costard in Love’s Labor’s Lost (Seattle Shakespeare Company), Pablo in Sister Act (Taproot Theatre), Macbeth in Macbeth (Seattle Shakespeare Company), Noel Gruber in Ride the Cyclone (Ballyhoo Theatre). Rolando thanks their partner, friends, and family that have supported them throughout this journey.
Cordelia Carranza
Juliet
Cordelia Carranza (she/her) is a white-Guatemalan visual and performing artist who graduated from Edmonds Heights K-12. She is working as the Seasonal Theater Apprentice for Seattle Public Theater during her gap year and will leave for Hampshire College in the fall.
Levi Redmill
Tybalt and Friar Laurence
Levi Redmill is an actor and emerging intimacy director represented by TC Talent. He received his BFA from Cornish College of the Arts in Acting and Original Works. Some of his Cornish credits include Gruesome Playground Injuries (Doug) and Head Over Heels (Dametas). He’s excited to return to Seattle Shakespeare Company’s Educational Tour after playing Macduff in last year’s tour of Macbeth! His other professional credits include Twelfth Night (Greenstage), Measure for Measure (Shaxberd), and Enough! Plays to End Gun Violence (Seattle Public Theater). Visit Levi’s website
Elizabeth (Theo) Wynn
Romeo
Elizabeth Wynn (they/she) is an actor, musician, playwright, and dialect coach with a BFA in Musical Theatre from Cornish College of the Arts. Their most recent roles include Lady Macbeth in Seattle Shakespeare Company’s educational tour of Macbeth, Eleven in Stranger Things: The Experience (Fever/Netflix), Girl in Once (Cornish College of the Arts), and Karen/Osiria in the new musical Part-Time Hero (Cornish). She has served as assistant dialect coach for several shows at Cornish, including Cabaret and A View from the Bridge. She also wrote and dialect coached her thesis play, Bury Me Under the Willow.