Bringing Our Whole Selves: A Letter from Pilar O’Connell, Diversity Programs Associate
Growing up in New Mexico I wasn’t often offered a chance to see Shakespeare. When I did see it, it always seemed untouchable; like there was never a place for
Growing up in New Mexico I wasn’t often offered a chance to see Shakespeare. When I did see it, it always seemed untouchable; like there was never a place for
During my undergraduate years (2005-2009) and graduate years (2010-2013), I was actually cast in a few Shakespeare plays. Guess how my professors cast me?
Back in Shakespeare’s day, theatre was already a hotbed of cultural rebellion—from the moment poor actors broke laws to dress as royals. Elizabethan politicians regularly denounced boys wearing dresses to
What does it take to create a sense of war on stage? How could it be possible to embody the violence and invasion of a country with less than a
Does the idea of altering or editing the works of Shakespeare make you nervous? Dive into the history of variable texts, inconsistent printing, censorship, and near-constant revision and start wondering
On Tuesday, February 14, the cast of Drum and Colours: Henry IV gathered together for the first time with the production team to hear about the designs for the show